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“I Think Trainer’s are Stupid”, Michael Stipe

“I Think Trainer’s are Stupid”, Michael Stipe

Tux ‘n’ Trainers

The New Museum hosted its 40th annual spring gala last week at Cipriani Wall Street in New York. The event honored artist Chris Ofili and had a “Tux ‘n’ Trainers” theme, requiring guests to pair their formal attire with sneakers. SURFACE showed up to ask noteworthy attendees how they chose their footwear.

John Waters

Oh, I don’t know! I wear these a lot. They’re Comme des Garçons—they go with everything!

Jack Whitten

 

Well, these are homemade. I spray painted them.


Marilyn Minter, Bill Miller, and Cindy Sherman

These are the ones I wear every day!

I can never ever wear them out.

I’m not wearing trainers because I didn’t think it went with what I was wearing!


 Marcus and Cherie Weldon

I grew up in the U.K., and Adidas were our favorite sneakers because of soccer. I’ve always liked Adidas shoes, and we found his and hers matching.

They’re Margiela.

I just wanted to be comfortable.


Michael Stipe and Thomas Dozol

I think trainers are stupid, so I wore boots … like a lumberjack.

I was thinking ‘Happy Birthday’ because I got them as a birthday gift. My wife picked them out, so I was thinking ‘Thank you,’ I guess.


Bill Powers and Cynthia Rowley

They were the least beat-up sneakers I had in my closet, and they were a father’s day gift, so they say ‘Best Dad’ in there.


Karen Wong and Chris Ofili

(Chris had no comment)

I was looking for sneakers that were futuristic. Future forward.


Racquel Chevremont and Mickalene Thomas

(Yes, that’s New Museum’s own Paul Jackson photobombing in the background)

I was thinking of height when I put on these shoes. I wanted to be tall and towering and Amazon-like.

I chose them because they’re so comfortable. I walk miles and miles because I’m obsessed with this app that counts your steps everyday.


Julian Schnabel and a friend

These are really light.

You know, I like these sneakers. They have a blue, kind of patent leather quality to them and black canvas. I just enjoy them.


(Photos: Antwan Duncan)

Hey B*tch I’m From Downtown

Hey B*tch I’m From Downtown

On March 22, PLEASE DO NOT ENTER’s “Boutique Ephémère” infuses a downtown Los Angeles twist to the West Hollywood landscape, through a bold graphic, musical and architectural installation by French LA-based artist Sébastien Léon, bringing a new sense of place to the iconic Melrose Avenue building, through graphics, sound, and light.

Léon’s intervention starts with the wrapping of both the entire facade and the two adjacent billboards, with his signature line art in bright pink. One of the billboards features the provocative statement, “Hey B*tch I’m From Downtown”, as an affirmation about the blossoming renaissance of the Downtown art and fashion scene, and the geographic origin of Please Do Not Enter. The installation continues with a multichannel sound installation which the artist composed in collaboration with sound designer Machine Head. The duo transforms the wood ceiling of the boutique into a soundboard, playing a cinematic soundscape inhabited by squeaking planks and flamenco steps. Léon adds a final touch by bathing the whole interior of the boutique with bright pink LED lighting, offering a vivid impression to both visitors and passersby.

8382 Melrose Avenue, Los Angeles CA 90069 (West Hollywood)
The store will be open from Monday to Sunday (11am-6pm) till May 31, 2017.

Bags & Beyond

Bags & Beyond

Cris Weer Photographer Designer Creative Director New York Berlin Hong Kong Guangzhou ShenzhenReferring to John and Yoko, K11 is showcasing the history of the bag. An exhibition that introduces 400 years of high-end handbags alongside contemporary Chinese art.

Vintage Fashion Illustrations in London

Vintage Fashion Illustrations in London

“A lot of people think that fashion illustration is something that died circa 1930, when photography came in — but that’s absolutely not true,” says Connie Gray, curator of “Drawing on Style,” an exhibition running during this London Fashion Week. “They ran very much hand-in-hand up until the 1960s and 1970s, and they really complemented each other on the page. Very often there would be a mixture of photography and illustration within the same fashion story.”

Though this kind of artwork doesn’t take center stage in fashion reporting anymore, the medium, Gray says, can sometimes be more effective than photography. “The photography of the 20th century was wonderful, but it was often quite static,” she says. “With illustration, there was a lot more feeling, movement, and expression.” Click through the slideshow for a peek at the new show.

“Drawing on Style,” presented by Gray MCA in collaboration with SHOWstudio, is on display at Gallery 8 in London from September 15–20.